Slapping the Jester

When Will Smith slapped Chris Rock, he was rejecting the idea that comics shouldn’t be held accountable for the things they say.

James Surowiecki
GEN

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Chris Rock

When Will Smith walked across the Oscars stage and slapped Chris Rock across the face for having made a joke about Jada Pinkett Smith, it spawned a deluge of takes on Twitter (many of which are collected here), and, in the days since, innumerable think pieces. But in all the arguments over whether what Smith did was justified or at least understandable, one obvious, and important, aspect of the story got surprisingly little attention, namely that Chris Rock was not a random person in a bar who insulted another guy’s wife. Instead, he was someone who had been assigned, and was playing, the role not just of comedian, but of court jester. And that makes — or should have made — all the difference.

The figure of the jester, or the Fool, has existed in many cultures in many different eras, and though that figure has taken many different forms, one of its key characteristics is that jesters do not have to follow the same rules everyone else does, particularly when it comes to speech. They can say the things that others may be thinking but are too afraid to say, and can say them (usually) without fear of punishment. This is what defines the most famous jesters in Western culture…

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James Surowiecki
GEN
Writer for

I’m the author of The Wisdom of Crowds. I’ve been a business columnist for Slate and The New Yorker and written for a wide range of other publications.