The Joker and the Politics of Whiteface

It’s the job of the clown to upset the social order. But the new whiteface exposes a white culture afraid of change.

Colin Dickey
GEN
Published in
7 min readOct 9, 2019

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Illustration: Tessa Modi, Image: Morsa Images/Getty Images

CClowns these days seem to love two things: white pancake makeup and mass murder. In Todd Phillips’ Joker, Arthur Fleck is only happy when he’s in greasepaint. Performing on the street or at a children’s…

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Colin Dickey
GEN
Writer for

Failed histories, histories of failure. Author of four books: The Unidentified, Ghostland, Afterlives of the Saints, and Cranioklepty.