To Fall from a Low Place Is Not “Tragic,” but Sad

The Case of Andrew Cuomo

Carla Seaquist
GEN

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© MTA of New York

With the abrupt resignation of New York governor Andrew Cuomo, second-generation holder of his state’s highest office once held by his late father Mario, the media has reached for high metaphor. Andrew Cuomo’s fall is “tragic,” it is being claimed, a “Shakespearean fall from grace” from a high height (here, here, here, here, and here).

Not! Thugs do not have tragic, Shakespearean falls. Heroes do. Heroes, equipped with characters of substance, who have achieved great heights by achieving great things, may trigger their own fall if a flaw in their own substantive character goes ungoverned, amok. Andrew Cuomo, creator and curator of a hideously toxic workplace for women, was almost all flaw, not much character, and certainly no grace.

While Cuomo did achieve high office — governor, state Attorney General, cabinet secretary in Bill Clinton’s administration — his accomplishments were always overshadowed by his intimidating methods: He is said to have had two operational modes — “Get along, and kill.” He flexed more muscle than a hero ever needed. Rather than hero, Cuomo was, and ends as, a thug.

Cuomo’s history of sexual harassment as governor is contained, with corroborating evidence, in state Attorney General Letitia James’ 165-page report

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